
Characters Drive Stories is a table read series presented by the Blue Whiskey Independent Film Festival (BWiFF) featuring previous official selection screenplays. Festival Operations Director Jonathan C. Legat hosts along with special guests as they bring the characters to life in a table read setting. Each edition concludes with a round table discussion about the writer's work.
Characters Drive Stories with Driver's Ed Mutiny
A 3-Part Festival Retrospective Virtual Event
Overview
The Blue Whiskey Independent Film Festival is now accepting self-tape audition submissions for the first edition in this series. Submissions will be accepted through Wednesday, April 16. The recording of the table read will take place on Saturday, April 26 in Palatine, Illinois from 12pm-4pm.
If selected for the cast, you will be contacted and provided additional details for the table read filming date. There is no compensation for this performance.
Roles & Audition Sides

Nick (male, high school teenager) – rebel with bully defense strategy, struggling with loss of brother

Cole (female, high school teenager) – athlete, determined, desperate to meet her birth mother

Peter (male, high school teenager) – introverted, smart, looking to make new friends

Mr. Jackson (male, driver's ed teacher) – rude, flexes his power over students, athletic coach, creep
Self-Tape Instructions Using a Cell Phone
- Set up your cell phone in either a horizontal or vertical position to record yourself with a blank wall behind you. Make sure the space you are recording has sufficient lighting and no background noise to distract from your performance.
- When looking up from your audition side, be sure to look at the camera lens as your focal point instead of yourself on the screen.
- At the start of recording, SLATE your audition by stating your first and last name followed by the role you are reading. Then pause for a moment before performing your audition.
- When finished, upload your audition to YouTube or Vimeo with visibility set to UNLISTED. Once uploaded, send the link to charactersdrivestories@bwiff.com along with a headshot and resume (if available).
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Gail Gallagher is super excited to be providing music for Cinema Centennial again this year! Gail is a singer-songwriter, composer, and music teacher and has developed her improvisational piano skills by being a music director for the Chicago improv scene for nearly 10 years. She has composed music for several musicals including Feathers: A Super Hero Musical which won best underscore in the Premier Premieres festival at MCL in 2017.
During these quran-times she’s been teaching piano and songwriting lessons online and taking on awesome composition clients like Cinema Centennial. She also remotely recorded and released her debut album, Power of the Unnamed Passion which is a musical theatre folk rock concept album about those moments in life where everything falls apart and you learn to make new meaning. All the songs on the album were written pre-pandemic but are wildly relevant to the emotions of the moment, so that’s cool. You can find out more about her work at gailgallaghermusic.com.
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[vc_hoverbox image="2018" primary_title primary_align="left" hover_title="Nicholas White, Sound Effects" hover_align="left" align="left" hover_btn_title="Visit Nick's Website" hover_btn_color="primary" hover_add_button="true" hover_btn_link="url:http%3A%2F%2Fwww.VintagePercussionSoundEffects.com|target:_blank"]
Nicholas White is a freelance percussionist, historian, and instrument collector. An active performer with professional orchestras all over the U.S. and in Germany, he's a graduate of Boston University, and holds two advanced degrees in music performance from The Boston Conservatory. He's attended the Eastern Music Festival and Aspen Music Festival, having performed under such conductors as Michael Tilson Thomas, Gerard Schwartz, James Gaffigan, Juanjo Mena, David Robertson, Thomas Wood, and Robert Spano.
As a collector, he has assembled the largest collection of drummer's sound effect instruments (or “traps”) in the world. He has reinvigorated historical interest in this topic through his website, where he displays over two hundred sound effect instruments, and demonstrates each instrument’s original purpose for silent film accompaniment. He’s also been interviewed for DrumHistoryPodcast.com, Newsy news network, and featured at Soho house, Chicago, Percussion Arts Society International Convention (PASIC), Northwestern University, and The Chicago Drum Show. In 2018, White began performing with celebrated silent film organist, Jay Warren. Performing with antique sound effects and genuine original theatre organs, they’ve mastered music accompaniment to silent films in a truly unique and historically accurate fashion. In 2019, White took his sound effect instruments and other percussion to the stage in Regensburg, Germany for the world premier of two new works written by composer/conductor Thomas Wood.
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